Статьи - Аудио

Nick Cornford

In Part 1, we saw how to make an oscillator whose pitch, as opposed to frequency, can be made proportional to a control voltage. In this second part, we’ll look at some alternative ways of arranging things for other possible applications. To ...

Nick Cornford

Typical circuit An ongoing project (or gadget) called for a means of generating an audio output to represent a varying voltage level. Ho hum: that sounds like a voltage-controlled oscillator. But this signal was bipolar, spanning peaks ranging from ...

Dafydd Roche Miro Oljaca

Modern day recording and broadcast is a mixed bag for today's audio engineers when it comes to input signal chains. Microphone electronic technology really hasn't changed that much over the last 50 years. The concept is mostly based around ...

Jordan Dimitrov

If you need a very pure sine wave in the audio range, the circuit in Figure 1 can help. It is a simple deal: A sine wave with a THD of 1% coming from a function generator that goes through a trackable low-pass filter, which attenuates the ...

Jeff Smoot

The utilization of Micro-Electro-Mechanical Systems (MEMS) microphones presents an opportunity to incorporate sophisticated communication and monitoring capabilities into a diverse range of devices. Home digital assistants and voice-enabled ...

Federico Coppede

This article describes a technique to compensate the DC voltage drift in the output of a directly-coupled AB-Class audio power amplifier. The main benefit of a directly-coupled output is improved bass response. Since the design eliminates the ...

Noël Boutin

A Zobel network is useful in making a reactive load appear as a pure resistance to a driving source prone to stability problems ( Reference 1 ). A typical situation is an audio power amplifier driving a loudspeaker, modeled at first approximation ...